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米国
宗教法人の自殺パーティー音楽。ノイズ・ギターがのた打ち回るブルージィなガレージ・サウンドと、胃の底から振り絞るようなヴォイス。はっきり言って、本家よりも猥雑さがゴリゴリであり(それだけしかないっていう向きもあるが)。このアルバムは車残骸と鰐ションベンな音がする。色気違い亡いミイラの歌謡曲。踊り狂う、マザーファッカーズ！
Cry baby falsetto caterwaul throat-sings in bloody heat with horny, sex slathered guitar and mammatus thunder-bump double bass drum thumps drop the needle in the grooves that ride up and down on Satan's bifurcate cock for the rite of solar union in the Temple of Dionysus' Uterus's cult gathering of the followers in an orgiastic throng of dance-fuck magick before the ritual kool-aid suicide/ascension pact and crop-dusted, beard-fuzzed jaw harp twangs and accompanying contrabass mass penetration party. Perhaps better self-described as sounding of train wrecks and crocodile piss. I can't cut rugs at any shin-dig without this. 'Uterus' has been in heavy rotation at my house since the 20th century. Best album of 1999, before the millennium bug destroyed computer civilization and records became henceforth lathe-cuts in tallow wax coated wooden circles and raves became the drugged-out hoe-downs that we all enjoy in our current utopia.
http://www.mediafire.com/?6hztgmmmm3v
英国
ムカツク。ＲＡＤＩＯＨＥＡＤは陰茎飲むと睾丸を含嗽する。知能障害のバンド。シンガーは本当に心神耗弱者ですか？メンバーは皆知能の遅れた耗弱と思う。死ぬばいい。
Someone gave me a burned copy of this, I listened to it. My verdict:
1) Radiohead drinks penis.
2) All of their songs gargle balls.
3) Intolerable.
米国
ご存知、ＢＵＲＮＩＮＧＷＩＴＣＨの前身バンドにあたり、１９９６年に活動していたアメリカのドゥームバンド。当時１７歳だったノルウェー人のＲＵＮＨＩＬＤＥ ＧＡＭＭＥＬＳＡＥＴＥＲ嬢が歌う地獄からの呻きに似た恐怖のボーカルに驚いたものです。１９９６年にリリースされた作品に、ボーナストラックとして貴重な当時のライブ映像を追加して再発されたCD。１９９８年リリース。全4曲入りで32分の収録。（ライブ映像は1995年に行われたもので34分の収録です）超邪悪ドゥーム。
Basically, after 2003 it's now "cool" to listen to metal or play D&D, according to the same fools who are walking around wearing Member's Only jackets and American Apparel, snorting up mountains of the devil's dandruff, sporting ironically-hip shit like moustaches, cornering hapless drunk girls at dance parties and forcing their cocks onto them. Being a fashionable coke-addled rapist is totally "DO" in Vice magazine and we have hipster culture to thank for that. I digress... Back in 1996 I was getting teased in high school for wearing a Slayer shirt and roleplaying during lunch. This is was recorded in 1996 when no one was playing doom metal because it wasn't cool yet and the future millionaires behind Southern Lord were in bar bands. That is, until a 17 year old high school exchange student from Norway came to the geriatric Norse neighborhood of Ballard, Seattle and became their singer. The vocalist of Thorr's Hammer (not to be confused with Polish NSBM band Thor's Hammer because apparently being Polish is the same thing as having Down's syndrome) Runhilde Gammelsæter has a voice with amazing bi-polarity. She can sing like Joni Mitchell or Glen Benton. On other recordings she is heard to screech, caterwaul and ululate like any manner of beast as well. This band is oppressively brutal, the songs center around a singular riff, glacial pacing and harsh, resonate sustain. Utterly dour, wintery sounds, evil. Thorr's Hammer got to play a couple shows in local taverns and record 3 songs in a studio before Runhilde had to return to the permafrost whence she came. The dudes of Thorr's Hammer went on to form Burning Witch (so good) next and eventually Sunn*, Goatsnake, Khanate, Teeth of lions blah blah whatever and several dozen other bands that sound more or less the same. Runhilde Gammelsæter later sang on a Sunn* song, a Khlyst record, put out a high-brow solo record of her own with help from an Ulver dude and finished her PHD, I'm told. There are also crazy rumors that she married someone from Emperor, Samoth as I heard it. Mortiis is definitely still single.
(former) 206 represent.
http://rs182.rapidshare.com/files/178552524/Thorr_s_Hammer_-_Dommedagsnatt__1996_.zip
*capital O X1 + right parentheses X3
日本
まず、叫び声、そこから、ハードコア的轟音世界。ギタリストの腕が吊りそうなくらいガシャガシャ鳴らしてる。「おお、これは良いイントロだ」とか思うんだけど、それから曲は全く展開せずに（時々コードが変わるだけ）、３３分経過して、イントロと同じような叫び声とともに、曲は突然終わる。…以上！俺はこういうの好き。荒唐無稽で、何やってるかわかんないやつ。しかも、このＣＤはカッコイイし。EYƎＷＴＦ？
I love this record for two reasons: #1. It's awesome, it's one 33 minute track that sounds like a never ending Disorder song. #2 Every time I've ever been asked to DJ anything, be it party, evening at a bar, 24 hour BBQ, between sets at a show, Purim, whatever, I always play it. Start to finish. It's the only CD I bring along. If I make a mix tape for someone, it's a C-60 and one side is SUPER ROOTS VOLUME THREE (3). I think playing only this and both sides of 'Yes - Close to the Edge' comprises a paradisiacal DJ set.
http://www.megaupload.com/?d=60KNF2W9
イタリア
イタリアンハードコアレジェンドＲＡＷＰＯＷＥＲの一番アルバム!! ハードコア好きならコレ聴いてないと駄目っすよ♪ ｢ＳＴＡＴＥ ＯＰＰＲＥＳＳＩＯＮ｣で初期衝動爆発です。リアルな怒りを真空パックしたハードコアパンクの名盤!! 鮮度は落ちません(笑)
I'm going to dust this off with an irretractable blanket statement: This is the best hardcore record of all time.
Now I will defend this statement. This band is a guido jerry-curl hair-tornado of lightning strikes and electric guitar cum. Screaming whammy bar guitar solos, massive heels, cow bell, any of these would be cool-demotions were it not RAW POWER!!!! When today's hardcore bands attempt songs like RAW POWER they just come off as self-parody but RAW POWER is like a Stooges record played at 45 rpms and it totally works! You can hear a fine balance of proto-punk rock and roll yin with latter hardcore yang. What's more, they rock from the balls but sing from the heart, what I mean is there's reality in their lyrics, intensified. Intensified reality, like getting high and reading the newspaper. Back then RAW POWER were like a band of fuzzy Italian velociraptors and they played as hard as humanly possible with all sincerity while recording this album. 'Screams from the Gutter' conclusively perspires behemothic riffage and elephantine drum battery, achieving a fine lather of both. You don't even need a brain to appreciate this record. First song 'State Oppression' and the deal is done, best hardcore record ever. 'We're all gonna Die!' too, seriously, every song on this record is my favorite song on this record. 17 songs, 26 minutes, listening to side A and B consecutively is the thrill equivalent to all of Shark Week. Hairnado!
http://www.mediafire.com/?lzudmngygdy
フランス
フランスのブラックメタル1ST。アナログリリースだった本作のCD化がコレ。荒涼としたリフが全編を支配するブラックメタルが放つ一種特有の雰囲気を余すことなく表現している。基本に忠実でストレート直球勝負。＃1～＃4は本番で＃5～＃8はデモ音源といった構成。本番の4曲目の3分位から始まる凍えそうなメロディラインはこの辺をターゲットに聴いている人にとって悶絶に値するだろう。特徴こそないがブラックファンなら普通にイクこと間違いなし（笑）後半のデモ音源もアナログおこしの為、録音レベルこそ小さいが明確に曲の輪郭も判別できるので楽曲の良さがシッカリ伝わると思う。コレはホント意義あるCD化だと思う。ブラックファンに捧ぐ。
French (from France) "métal noir" is haute couture (pronounced "hott cooter") right now. This is their firstish record from 2000 with the 'Disciples of the Ultimate Void' demo thrown in and a sick nazgul on the cover. This from when they played nothing but forthright black metal with less pretension. It would seem of late that within the genre a straight-forward approach has become faux pas (pronounced "fox pass"), and Deathspell Omega are on top of this, likely because in order to be really "evil" in a society of piss-drinking baby-eaters it requires much more effort than normal black metal bands exert in, say, sparsely-populated and conservative Norway. For example, foie gras (pronounced "fooey grass") is the most evil thing I can think of. I read somewhere that France consumes more porn than the rest of the world combined. Deathspell Omega are awfully sheek (pronounced "chic") stuff these days. Best served with hors d'ouevres (pronounced "horse ovaries"). Pardon my French.
http://rapidshare.com/files/79791942/DEATHSPELL_OMEGA_Infernal_Battles_200_BMW.rar
PS: I discovered the singer is a morbidly obese bald guy. One more proof-positive example that the gifts of shred do not smile upon the fair.
米国
不穏なイントロから始まる一番から壮絶です。まずノイジーで歪んだ気持ち悪いリフを聴いて思ったのが
以前までのような鬱というよりはフレンチブラックっぽい荘厳さが放たれているということ。
ヴォーカルはエフェクトかけたような病んだ声でギャアギャアがなる。そんなわけで今までのＬＥＶＩＡＴＨＡＮとは少し毛色が違うが、ＷＲＥＳＴ氏の病んだヴォーカルが好きならば前作と同様に楽しめるかと。
I liked Leviathan before, but this time he used real drums. I would really like to support more of these onemanblackmetalbands but they need to hang up the drum machine habit, it's retarding. Drum machines are inappropriate for the vast majority of music (feel free to disagree, Europe, continent of twats) and even when acceptable, still, using samples of real drums is usually much, much better. Use of drum machines is something to be forgiven, if the band is worthy, few are. Seriously, when I got this record it was all I could listen to for like, three weeks, maybe. I even taped it so I could play it in my walkman while I went shopping for a comforter. Best black metal record of 2008 is a tie between this and Nahvalr, both of which are forging new territory for the genre. I sounded totally pompous just there, "forging new territory for the genre" and shit. It could have been worse, I could have wrote "sonic" or "aural" territory. Those slags at Pitchfork write like that. Fuck them.
http://rs155.rapidshare.com/files/95724222/Leviathan_-_2008_-_Massive_Conspiracy_Against_All_Life.rar
日本
再入荷！ＥＸ－ＲＥＳＵＬＴでも活躍したマツイ氏率いる名古屋ダークスラッシュＨＣ、無我、久々のリリース二番アルバム！ピアノ等も導入し、より一層の深化に成功した、ＨＨＩＧ～ＴＲＡＧＥＤＹ直系サウンドを、無我流に更なる叙情を加え、日本ハードコアの炸裂したドライブ感も加味して叩き出す、文学的、哲学的日本語詞も手伝いハードコアでありながらメディテーション・ミュージックな風格さえ漂う荘厳エモーティブ・ドライビング諸行無常ダークスラッシュが流石にかっこいいです！苦悩し、もがきながらも這い上がろうとする様な凍てついた鋼鉄の意思の力を感じさせるこの唯一無二の世界観は凄いです！全8曲入り！
This is MUGA, from a shithole called Nagoya. They have been playing shows around mid Honshu for over five years now and they seldom tour or record anything. They put out an amazing demo tape in 2003 and disappeared for a while, came back with a female vocalist and put out the magnificient S/T full length, the female singer killed herself and they regrouped after a long hiatus for another few songs which made it on a split with Osaka's Swarrrrm, then nothing for a long time. Now they have a new record out and it is fucking shaka zulu gnarly. It's shaka-gnar. I hope they don't go back into hiding after this. It might not seem so, but Japan has so few active bands that are anywhere close to being as good as MUGA. Give me a ring a ling if you want some ding a ling.
http://www.megaupload.com/?d=0VBZ3Z69
米国
アースの大作ベス、ゲストギターはニルヴァーナのカート・コバーンとベーシストはジョー・プレストン（大好き）。これは大事。三番の曲＝神殺し。
This is obligatory, I had no choice but to put this on here. Nevermind the two legends guest-featured on this record (pun unintended), and really focus on the fact that this record is a critic's cumrag for reasons other than the personnel involved. It is a masterpiece of 20th century art and should be considered part of the western musical canon for all eternity. The third and final track is justification enough on its own. This album has no flaws, it is an impenetrable fortress of bona-fide bonerfication.
http://www.megaupload.com/?d=RUPAWAAN
Post Script: There was a video made for 'Ouroboros is Broken' that was essentially a single damaged reel from an authentic 1950s stag film featuring buxom women riding horses and praying to Buddha in the nude. It was both mesmerizing and disturbing. I used to have a VHS copy of it but it is long since lost. Pity.
米国
クラシックＴＨＲＡＳＨ、今はアメリカのベストＴＨＲＡＳＨバンドやろ。何時も聞く最近。
If you like metal, no matter which sub-genre of metal you prefer, you will like this band. Straight up, outdated, timeless thrash metal. Like Destruction, Kreator or Sodom, if you don't like Skeletonwitch, you don't like metal. If you have no appreciation for metal (be it anything between a distanced affection stemming from a core of nostalgia and satire or balls-out, fist-pumping, B.C. Rich lust) then you must be a smooth-jazz vagina!
http://rapidshare.com/files/115418331/SKELETONWITCH__U.S_-_At_One_With_The_Shadows_Uploaded_by_malphas_.rar
http://www.mediafire.com/?4nlzxyd3hzn
米国
ＭＡＴ ＢＲＩＮＫＭＡＮの不気味ノイズ便秘あるのときはＦＯＲＣＥＦＩＥＬＤを聞て、絶対すぐに直るょ。ロード・オブ・ザ・リングズ読んでなさい、マジ。
This record is so good, besides the fact that the title references two of my favorite things. If Tolkien weren't such a god damn catholic he might have enjoyed speaking Sindarin-Elvish into a Space Echo over a hot cup of mescaline tea. For this record Forcefield is pared down to just Meerk Puffy and Patootie Lobe. The result is harsh aural fiber, less dancey. Hemorrhaging electronics recovered from warehouse fire tune in to eldritch entities. For adventurers who have their saving-throws memorized and lovers of harshed mellows. The exact reasons why this blog exists. I'm sad I missed this one on vinyl. Forcefield LPs are packaged artifacts.
http://www.mediafire.com/download.php?m3yuhdhiynk
スウェーデン
ＳＹＰＨＡＬＩＴＩＣＶＡＧＩＮＡＳの感じなパンクは人気じゃないね、日本に。超ＧＩＳＭポザーバンドけど、傾向いい感じと思う。いい曲あるとマジ騒ぐな曲もある。スウェーデンでも本当に80sＪＡＰＣＯＲＥに成りたい。それは自明ね、バンドの名前はＧＩＳＭの曲タイトルだから。だべ。
I totally realize this band doesn't need my lip service since there's a galaxy of studded tweens in stretch jeans with 4 belts apiece that are totally diapers right now about this band. I honestly thought they were from Texas, you know, where more and more late 80s/early90s born kids with peach fuzzy faces make the jump from Op Ivy and Hot Topic to bullet belts and World Burns to Death every week. Which is fine, we all start somewhere, and by the time they can go to a non all-ages show they are shunning raw punk and hardcore for whatever fad is coming next, reoriented post-punk goth-purism, "deathrock" or whatever its destined to be. I'm straying off topic, the point is this: this band sounds exactly like you think they would. Some songs are totally kill, some are laxative. Their name makes comparing them to GISM redundant, so shut up.
http://www.mediafire.com/?ceyzmqzmmtx
Obnoxious logo:
台湾!
黑冥煞、名前はスゲべ。俺は台湾がブラックメタルバンドを作ることができないとを考えた。馬鹿な俺。俺は何も知っていない。このバンドは全くすばらしい。ドラマーは強く、薄く水っぽい、格好いい。ドラマーは技術的で、弱いマジ悪い。歌うことは恐い。超好き。今のブラックメタル正常=退屈。黑冥煞は驚かせるです。聞くの後は破魔して。
I'd think balmy Taiwan would be among the last places that a great black metal band could happen, proof of my ignorance. I've long been in love with Taiwan in a general sense, but that in no way colors my judgment concerning this record. It would be cool if more intense music were leaking out of the People's Republic of China, I mean, how many other black metal bands will go pee pee in your coke? The band name is written 黑冥煞 and the kanji can be read to mean 'black deep ghost' but the band's English name is Inferno Requiem. 幽冥夜怪話 (Gloomy Night Stories) is tough, scary black metal with crazy drumming that is not at all technical, it's sloppy and powerful, which I prefer to technical blast beats that are just barely tapped out to conserve stamina. This drummer could play without drum mics, few metal drummers can. It's reffreshing to see cover art that isn't all forests rendered in charcoal, really, look at that cover art! Stew pots of Buddhist hell, that's a black metal record! If that doesn't wind your cock-clock from 6 to 12 then seriously, go to sleep and never wake up. You aren't needed.
http://www.megaupload.com/?d=D3AFLTLJ
米国
驚異的な、組織上の音。潜在意識を分解しなさい。音を通して別の世界を見つけ。いいオナニーＢＧＭ。
This record is amazing, listen to it in headphones and really lose it or route it through your bass amp and feel it rattle your organs. I've done both. I have a tattoo of the cover art from this record, that's how much I love it. Drones, multi-layered and textural tonalities and nothing but. It's both beautiful and ominous. Jason DiEmillio, the guy who made this record, killed himself when he went deaf. Sound meant that much to him. A single, deep listening to this and you should be able to understand why.
http://www.mediafire.com/?znytwtwmuoi
米国
普通にアコースティックフォーク嫌いです、でもＭａｒｉｅｅＳｉｏｕｘがいいょ、信じて。綺麗な声、リリックは気高い,とても素敵音楽。
This is a really good folk record. If I heard the future me saying that 10 years ago I would have shot myself in the face then and there. Still, it's so good I became a hypocrite for liking it. Features First American (read: Native American) instruments and amazing prosaic/poetic and often nonsensical lyrics which I find really engaging. Half of why I listen to old Leonard Cohen records is the lyrics. People can withstand Bob Dylan singing poorly through his nose because his lyrics are interesting. Joanie Mitchell is very verbal. There's not much to folk music besides capos and lyrics, so you have to perfect the details. In summary: really good folk record, listen to the 'Buried in Teeth' song first and you'll agree with me sooner.
http://www.zshare.net/download/503554626ba16e19/#
ウぇールズ
俺の一番好きな８０ｓＵＫＨＡＲＤＣＯＲＥバンド。これはＩＣＯＮＳの前文。最高。
This is near the top of my top 5 favorite punk records of all time. All the Icons of Filth releases from the 80s on one disc. Stig is dead, tip your Stella's.
http://rapidshare.com/files/81822066/IOF_The_Mortarhate_Projects.rar.html
米国
ＨＡＲＲＹＰＵＳＳＹはノイズ、遠吠え女ボーカル/ドラム、壊れたのギターＸ２、頭がおかしい。聞てなさい。
Legends of fucked up from Miami. Two broken guitars and a banshee on drums. Or rather a university professor of humanities on guitar down tuned to H, a free lance physicist (sometimes for Halliburton) on guitarded hack saw and a Haitian rights activist and community events organizer on punctured heads, cracked cymbals and splintered larynx. You can't make this shit up.
Besides the one-sided Black Bean and Placenta LP and 'Ride A Dove', this is my favorite HP release. It's ironic how huge this band is right now. Let's just say that if I auctioned half of my HP records right now I could have 24 karats in my grille.
http://rapidshare.com/files/136742066/HPHPS1993.zip
日本
三重県桑名市のサバトは日本の第一ブラックメタルバンド、多分。サバトのジャケットアートは何時もマジ面白いね、ＤＩＳＥＭＢＯＤＹとＥＶＯＫＥは俺の一番好きです。サバト面白い、”俺はゲゾル！”と言う（笑）。田舎育ちブラックメタル。
Look at that cover art, it looks like some RISD kid drew it. Reissued on HEAVY METAL SUPERSTAR records, adding to its awesome ridiculousness. This is pretty thrashy compared to their later screechy black metal thing. Sabbat were formed in the early 80's in Mie prefecture, way out in the countryside. As with all Japanese metal bands, this joke never gets old. The logo looks like it says ABBA on a winged inverted cross. You must hear this:
http://www.zshare.net/download/54481462f423bed9/#
スウェーデン
変なスカンジパンク。８０ｓ変ＣＯＲＥ。ちょうっとＡＰＰＥＮＤＩＸぽい、でも違う。本当にオリジナル。
Try to google some pictures of this band and see what you get. I love Scandinavian hardcore from the 80's because it's all so weird, fast and catchy; but this is something else entirely. Emerging from the Swedish punk scene of that time, they responded to their peers' efforts with a musical red herring (like Swedish Fish candies). Comparing this band to anything else is pointless, describing it is difficult enough. Mongo jazz thrash? Try it out.
Like critics on Reading Rainbow always say: "You don't have to take my word for it!"
http://www.mediafire.com/?wzyxhymwm0l
日本
ＧＩＳＭは超お金を愛する、だからＧＩＳＭの音楽はダウンロードするが気持ち。
DETESTATION is my favorite jism record. The trouble with Sakevi and all those Burning Spirits bands is that they love money so much. How punk is that?* That's why it feels so good to download and bootleg their music. I hope they all get ass cancer and die like Randy Uchida.
http://rapidshare.com/files/29904046/g.i.s.m._-_Detestation.zip.html
*Please detect sarcasm.
米国
ギター+ギター、ベースとかドラム抜きで。ボーカルでもちょうっと、リリックがない。可愛い、彼女も好き。
染み=官能的
Ecstatic Sunshine. Just guitar+guitar. No bass, drums, effect pedals, riffing, chugs, wanking. There are some vocals, but they seem like an afterthought and lack any lyrics or even syllables. Dudes are from Baltimore, where drive-by shootings make it too dangerous to go outside or hang out in the living room so they spend all their time in the basement writing technical strum ditties that add by subtracting. Listen to it while cooking.
http://www.mediafire.com/?zmwngwwhujg
アイスランド
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気分屋ブラックメタル、希、躍れる。
Icelandic black metal that is pagan themed and thus may/may not be racist. One song sounds like disco. Reykjavík, population 202,000 and capital of Iceland, uses geothermic heat for energy. This album may have been recorded by indirect use of subterranean volcanoes and features lyrics sung in a language that has been virtually unchanged in 2,000 years. Members of Thule went on to form Curse whom also released a fine album not long ago which also may have been recorded using earth heat and features more lyrics sung in archaic Norse. I imagine the Icelandic metal scene as being Curse and Solstafir shredding hot licks on either side of a steaming crack in the ground.
http://www.mediafire.com/download.php?xudnczoy2jz
ノルウェー
ビオラ/ベース/ドラム
ノイズけど、ドラムとベースの音は虐殺.2004年のベストアルバムです、絶対。
BASS/VIOLA/DRUMS from NORWAY.
Heavy noise that is suitable for listening at a party.
Danceable, best served with red wine and smooth downers.
http://www.megaupload.com/?d=NFLJQZOF
米国
ブラックメタルノイズ・・・ＨＡＶＥＡＮＩＣＥＬＩＦＥのメンバース。超暗いな音・怖い・夜で聞こえない。Harsh, "open sourced" black metal (whatever that means) that is so inventive and scary you don't miss the surprising near-lack of the typical staccato/blastbeats which are black metal orthodox. So unlike all other black metal bands that one is tempted to write them up as "black metal" instead of black metal. Emphasis on scary. Members of the amazing HAVE A NICE LIFE, another band that defies a unanimous genre definition. Guest starring Art Bell.
http://rapidshare.com/files/175931534/Nahvalr.rar
